#Cloud mount movi pro series
On the back center you have a power connection which uses Sony series batteries. The SD card slot is typically used for loading LUTs into the monitor itself, and the USB port would probably be for updating firmware, which SmallHD does often. Three ports identified on the back of the Focus monitor On the other corner there's an audio port and a full-size SD card slot.įigure 6. The corner is HDMI, which is a micro HDMI connector, and then on the back bottom there's a USB port.
One has power out, to power something else. But on the back panel there are little raised letters shown in Figure 6 (below). On lower-right corner of the monitor, there are three ports which are very hard to find and very hard to identify. I didn't have to think about it when I was powering off my gear because I had to power off my MoVI, and I had to power off the camera, but it was one less thing I had to worry about was wearing the battery out on this by accident. You can power it off by holding the power button or you can simply turn your camera off or unplug the cable and it will power off itself to save battery.
#Cloud mount movi pro software
The power button ( Figure 5, below) is on the side, and one of the nice things about the software on this monitor is that when it's not receiving a signal, it automatically powers off immediately. I was able to just mount it with this knockoff magic arm that I have, so I always use the bottom mount. Through the menu, you can also invert the image, so if you need to mount it upside down, you can do that. On three sides-top, left, and the bottom, there are 1/4-20 female threaded mounts for mounting the Focus in any orientation you need. Until you actually drop it, you don't know whether it's going to be tough enough or not. Now I'm sure SmallHD has taken that into consideration, and they've built a tough monitor, but still it was a worry that I had.
This would prevent you from damaging the screen. They would usually protrude out the front so that I didn't have to worry so much if I were to drop it about smashing the screen like a phone, because it had that little bumper so that even if it fell face down, the bumper would keep it from making contact with the surface that it fell onto. I was a little concerned when I first pulled this Focus monitor out of the package, because of the fact that it's all screen on the front and has none of the bulky bezels we used to find on some of the older models. Working with a waveform monitor on the Focus Design You can set all those up custom for each screen.įigure 4. It has multiple screens that you can set up with different parameters, whether you want one screen to have LUTs applied or focus assist or zebra or waveform monitors ( Figure 4, below). If you've used one SmallHD monitor, you've pretty much used them all as far as the software is concerned, with a few minor variations between them. If you've used some of SmallHDs, more compact monitors like this one in the past, you'll be pretty familiar with everything about it, especially the software. But it comes off and allows you to put the monitor on any camera with any setup that you would need. Whatever angle I set it at, it would stay there even when I'm moving the camera around. If you've got a cold shoe mount on the bottom that goes right on top of a DSLR, or a lot of camcorders that have those, the tilt mount screws into the side of the monitor, which allows you to easily just tilt it by hand without having to loosen anything.
#Cloud mount movi pro pro
The Focus mounted on a magic arm on the Blackmagic URSA Mini Pro 4.6K As you can see in Figure 3 (below), I'm using the monitor mounted to this little fake magic arm on this camera, but if you're using it with the DSLR, they include the really nice little tilt mount shown in Figure 1.įigure 3. The Focus mounted on the top ring of the MoVI Pro Constructionįirst, let’s have a look at the hardware, the design, and construction of the monitor. It was exactly what I needed for my shoot.įigure 2. I mounted the Focus to the top ring of the MoVI Pro ( Figure 2, below) and had a great time using it. I requested this unit from SmallHD specifically to use on a shoot that I was doing over the last two weeks, and I worked with the monitor almost exclusively on the MoVI Pro.įigure 1. Maybe you're using a run-and-gun package on a DSLR or, like me, are you shooting on a motorized gimbal, like the MoVI Pro. With a 5.5” screen, the OLED Focus ( Figure 1, below) is one of SmallHD’s smallest monitors, and it's designed to be used for very compact shooting situations. OLED screens are mostly known for their super-deep blacks and high contrast. The biggest difference between this and previous models is the design of the hardware, but also the fact that it's an OLED screen. This is a 5.5” screen that SmallHD introduced at NAB 2018.
This review will look at the the SmallHD OLED Focus Monitor.
0 kommentar(er)
